Siguiendo la definición de Osvaldo Pessoa Jr., un “escenario contrafáctico” sería “una situación posible que no se realizó, como una posibilidad futura en algún instante del pasado”. Este concepto no es nuevo. De hecho, tiene una presencia significativa en campos como la filosofía analítica, la economía, las ciencias experimentales o la psicología. La pretensión de este texto es presentar, mediante el rigor teórico, conceptual, y el método inductivo, una reflexión no derivada de investigación. Esta reflexión es la importancia de la (...) relación entre los escenarios contrafácticos y el mundo del arte desde una perspectiva institucional. La observación inicial en la que se sustenta este texto es que, en una época en la que cualquier cosa puede ser arte y, sin embargo, no todo lo es, las razones por las que algo pudo ser arte, pero no lo fue, cobran una gran importancia para comprender la base de su valor económico y cultural y ahondar en nuestras categorías lingüísticas del presente; en este caso, la de arte. (shrink)

Puede argumentarse que el hecho de que las democracias liberales occidentales no hayan sido ni sean en general lo suficientemente inclusivas es lo que permite desvelar en ellas una cierto componente de violencia. Sus más recientes justificaciones filosóficas, entre las que destaca la de Richard Rorty, contribuyen a fomentar esta argumentación en la medida que se declaran, con todas las cautelas ciertamente, etnocéntricas. Nos parece que el hecho de que sea factible cuestionar esta justificación ¿a la que denominamos, en la (...) línea de otros autores, ética postliberal- abre la posibilidad de una perspectiva crítica de la propia democracia liberal actual, no sólo sobre la base de razonamientos filosóficos, sino también con el concurso de consideraciones históricas. Iniciamos esta exposición con la propuesta de que ética postliberal y barbarie no tienen por qué ser consideradas antitéticas, sino que, por el contrario, pueden resultar coincidentes en algún sentido específico (sección segunda). A continuación, y con el objetivo de mostrar de qué sentido se trata, se abordan algunos textos de Rorty con la consecuencia final de que, al exhibir una vinculación más clara con el corpus del liberalismo clásico de lo que ellos mismos pretenden sugerir, pueden ser criticados por el tratamiento que hacen del pluralismo en un sentido análogo al de las críticas ya recibidas por el liberalismo clásico (sección tercera). Esta conclusión queda corroborada cuando se cotejan las tesis de Rorty con las críticas de Bikhu Parekh al monismo moral del liberalismo (sección cuarta). El abrazo del etnocentrismo, característico de la ética liberal y de la postliberal, constituye una determinación ideológica de las políticas de no inclusión llevadas a cabo por las democracias liberales occidentales en contradicción directa con los valores que declaran defender, y ello resulta particularmente visible en el caso de las relaciones de éstas con el Islam (sección quinta). Por último, en nuestras conclusiones, ponemos de manifiesto que el encaje contextualista al que la ética postliberal quiere someter a la democracia liberal no resulta suficiente para una defensa adecuada de la misma sobre todo si, además, tenemos en cuenta la praxis histórica real de Occidente en ámbitos no occidentales (sección sexta). (shrink)

Cuando observamos el apabullante momento histórico en que estamos viviendo, con el alto desarrollo tecnológico disponible, y nos informamos de los éxitos de la física teórica y física aplicada, los avances en la cosmología, la biología, la filosofía de la ciencia, los vuelcos que le damos a los conocimientos para ajustarlos a la circunstancias de la ciencia actual, observamos la conquista del hombre sobre el planeta y sus recursos, los cambios en la sociología mundial, los avances y prospección de avaneces (...) en medicina y "n" circunstancias conexas, nos parece que todo está "hecho ya", no alcanzamos a informamos de tanto. La simbología nos arropa... y también, a medida que analizamos términos como luz, oscuridad, espacio, tiempo, distancia, macro, micro, positivo, negativo, atractivo, repulsivo, pareciera que nos confundimos más, lo simple nos confunde. Aparentemente términos como infinito, comienzo y fin de las cosas, crean un caos en el cual se nos hace inaprehensible lo pequeño y lo muy grande.¿Qué es el tiempo esencial?, quizás sea la evocación del espacio esencial, y por ello, estamos interconectados, enmarañados en un solo ser, un solo ser universal, que contiene toda la energía universal, y que soporta toda la energía universal. ¿Y entonces? ¿Cómo es el asunto de la entropía... que comienza, crece y vuelve a comenzar?Debe haber una razón que explique la dinámica universal más allá del análisis de movimiento, que explique la síntesis y el análisis. En la búsqueda de querer objetivar la función abstracta tratamos de encontrar el esqueleto de las sombras en forma de energía y espacio exóticos. Buscamos algo que es de lo que no es. (shrink)

Este artículo analiza la potencialidad teórica de los análisis de movilidad social desde una perspectiva de la clase social. La temática de la movilidad social ha sido una de las más relevantes dentro del mundo de la sociología, para dar cuenta del patrón de fluidez social. El tema ha sido dejado de lado acusando a los estudios de movilidad social de referir a una visión política según la cual los individuos tienen oportunidades de moverse hacia diferentes estratos sociales, y lo (...) harán de manera meritocrática según el esfuerzo que pongan en hacerlo. Creemos necesario retomar la preocupación del análisis de los procesos de movilidad social a la luz de los análisis de estructuración social, centrándose en el concepto de clase. El presente trabajo aborda esa cuestión, relacionando los conceptos desde las perspectivas marxista, funcionalista y weberiana. (shrink)

El artículo plantea dos ideas-eje: una, el poder y la posibilidad de repartirlo y la segunda, educar en la participación como una manera de ejercer la ciudadanía responsable. El significado más habitual del sustantivo poder es la capacidad para ordenar o ejecutar una tarea. También se utiliza como dominio que ejercen unos sujetos sobre otros o como relación entre sujetos, donde unos proponen y otros secundan las propuestas. Se habla también de poder, al control que un individuo ejerce para conseguir (...) objetivos, extender su influencia sobre personas o para imponer su voluntad utilizando el miedo, el castigo, la fuerza, la recompensa, la persuasión�. (shrink)

Analizaremos en este artículo cómo Charles de Saint-Évremond (1613-1703), sin renunciar a la religiosidad, propone una ética que no reniega del mundo terrenal, como preconizaba la Iglesia en la Francia de finales del siglo XVII. El filósofo no sólo rehabilita los placeres mundanos, sino que restablece como rasgo antropológico del hombre el carácter de zoon politikón que ya subrayó Aristóteles e influenciaría a Epicuro. Del Estagirita toma también su fórmula del término medio en una ética cotidiana: no caer en el (...) ascetismo, pero tampoco entregarse en exceso a los placeres mundanos, no moverse demasiado pero tampoco permanecer quieto. El ser humano puede que sea egoísta, pero el concurso con los demás, de un modo razonado y bien calculado, además de motor económico y social, nos sitúa en el mundo y nos reencuentra con Dios. Entendemos que es un filósofo fundamental, como otros «menores» de finales del siglo XVII para explicar el despegue del Siglo de las Luces. (shrink)

La crítica señala a Pierre Nicole como el pensador que hizo la transición entre aquellos primeros moralistas de mediados del siglo XVII que condenaban el mundo terrenal y adoptaban una actitud negativa del ser humano, y los moralistas de la primera mitad del siglo XVIII, cuya visión moderna y mundana concebía al hombre bajo una perspectiva positiva. Este estudio pretende ubicar a Nicolas Malebranche como el otro pensador, quizá más en la sombra, quizá con un modo no tan explícito, que (...) protagoniza dicha transición. Bajo el reinado de Luis XIV, el filósofo parisino, influenciado notablemente por San Agustín y Descartes, establece una psicología dinámica que le aleja del estático epicureísmo clásico y trasciende metafísicamente la moral cartesiana, dotándola de un sistema acabado en el que la figura de Dios ilumina el conocimiento y establece una moral bien definida. Su teoría del orden supone una puesta en valor del placer mundano, así como una congénita sociabilidad cristiana. Los acercamientos y alejamientos con Descartes y la escolástica, así como sus interpretaciones de San Agustín, elucidarán en este estudio un prisma mundano de conceptos hasta la fecha de barniz cristiano. Toda moral y teoría del conocimiento parte en él de su metafísica cristiana. (shrink)

Persiste una concepción de los consumidores que los excluye de la ciudadanía. Pero existen razones que justifican que los consumidores deban ser comprendidos como ciudadanos. Aquí el concepto de uso social desempeña un papel fundamental. Pero la dimensión cívica del consumo ha de plantearse ahora en coordenadas distintas: la de la crisis de la ciudadanía laboral y el ascenso del precariado. Este trabajo pretende (1) exponer la conexión entre consumo y ciudadanía, (2) desarrollar el concepto de uso social como medio (...) para concretar prácticas emancipatorias, (3) atender al ascenso del precariado, (4) explorar en éste la cuestión del vínculo entre consumo y ciudadanía para (5) plantear, finalmente, algunas conclusiones críticas. It holds steady a conception of consumers apart from citizenship. But there are reasons that justify that consumers have to be conceived as citizens. Here the concept of social use takes the lead role. But the civic dimensión of consumption has now to be set out in different coordinates, that of the crisis of labor citizenship and the rise of the precariat. This work intends to (1) expose the connection between consumption and citizenship, (2) develop the concept of social use as a means to specify free practices, (3) pay attention to the rise of precariat, (4) explore in it the relationship between consumption and citizenship for (5) outline finally some critical conclusions. (shrink)

De la creación artística.--De la imaginación creadora.--De la poesía , la inteligencia y la música.--De las culturas y los estilos. Un programa de estética.--De un poeta y un pintor del trescientos.--De lo poético y lo plástico.

Este trabajo es una lectura estética-semiótica de la ṣalāt islámica. A menudo considerada como oración por influencia de la colonialización intelectual, diversos trabajos actuales han puesto en duda esta definición. Este trabajo pretende mostrar esta práctica desde una perspectiva estética, etnoescenológica y semiótica con el fin de resaltar otros elementos antropológicos de la performance como las transferencias energéticas, la vinculación con la naturaleza o el uso profundo de los sentidos.

The concept of obedience is included as a basic concept in the Holy Quran. In addition to the command to obey Allah, obey Muhammad was also stated and ordered. Obeying the Messenger was considered obedience to Allah and it was explained that absolute obedience belonged only to Allah. Obedience to the Messenger of Allah, Muhammad, is also in the category of absolute obedience in accordance with the command of Allah. In addition, "obeying the ulu’l-amr" is also commanded in the Quran, (...) but this is introduced as limited obedience. "Ulu’l-amr", which we translate as "those with authority/command", are Muslim knowledgeable people, scholars and administrators who are in administrative positions both familiarly and socially. The main subjects of obedience are the principles of faith. In Islam, obligations of servitude such as prayer (salah), almsgiving (zakat), fasting (sawm) and pilgrimage (hajj) are appearing of obedience. However, these obligations are primarily based on the principles of obedience such as Islamic tawhid, prophethood and belief in the afterlife. Even after belief in Islamic tawhid (monotheism) and therefore other aspects of faith are established in people obedience to the principles of faith continues by means of preserving faith. At this point, the importance of obligatory duties and good deeds is clear. The most obvious example of obedience in the principles of faith was seen in the Meccan period of the Prophet Muhammad. In this period, even though there were deeds such as tahārah (purity), salāt (prayer), and sadaqah (almsgiving); belief in one God, in the existence of a day of reckoning in which he will repay good deeds and evil deeds, and in the nubuwwah (prophethood) of the Prophet Muhammad, who communicated all these; constituted the primary agenda of obedience in Mecca at that time. Because shirk (polytheism) was dominant in Mecca. This study examines the literal meanings of obedience, obedience in the Qur'an and Hadith, and the nature of obedience in general terms. Later, some events that took place in the Meccan Period of Islam were interpreted within the framework of "obedience to Allah and His Messenger Muhammad". This section constitutes the main subject of this research. This article tries to see how the Messenger of Allah and the Companions responded to the divine command of obedience in Mecca. It is thought that this article will be a horizon for the idea of “obedience to Allah and His Messenger” in the 21st century. (shrink)

In this paper, I examine the grammatical nature of Wittgenstein's private language argument (PLA). On my interpretation, the definition of private language implies that the private speaker has no natural expressions for his sensations. This in turn implies that he has no criterion of correctness for using his sensation‐words. This then implies, together with the grammatical rule that a word is senseless without a criterion of correctness for its use, that private sensation‐words are senseless, and hence also that private language (...) is senseless. So in my analysis, Wittgenstein succeeds in dissolving the problem of private language through a grammatical investigation, and therefore, his treatment of private language is consistent with his metaphilosophy. I further explain that Wittgenstein provides a diagnosis of the error of the philosopher who thinks that private language is possible and that he also offers a therapy consisting of analogies or objects of comparison. I also make a comparison with previous studies on the PLA and discuss a number of novelties in my interpretation. (shrink)

El presente trabajo aborda el problema de la infancia dentro de la filosofía mo- derna y contemporánea, así como la relación conceptual que ésta tiene con la literatura, en especial, con lo que se analiza como novela infantil y novela familiar. Con apoyo de algunas ideas de Deleuze y Guattari, así como de Schérer y Hocquenghem, a la par de fragmentos de novelas, se busca establecer una crítica a las nociones de ontología y libertad establecidas en torno a la infancia (...) por la modernidad. Esta crítica permitirá comprender la infancia y su posible emancipación como alternativa plástica para crear nuevas subjetividades o experiencias políticas dentro del mundo. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Anonymous Versus Open Donation and Queerness as Political:Comments on Groll's Conceiving PeopleAmanda Roth (bio)1. IntroductionIn this commentary on Daniel Groll's 2021 book Conceiving People: Genetic Knowledge and the Ethics of Sperm and Egg Donation, I examine a number of the book's major themes, especially around the idea that donor-conceived children have a significant interest in genetic knowledge and therefore, donor-conceiving parents are morally required to use an open donor.1 (...) I point to some concerns about Groll's case for this view and, in doing so, highlight the way in which taking up an LGBTQ+ perspective complicates and undermines the case against anonymous donation. The major theme of my comments is that the open versus anonymous decision is not merely an ethical decision, but a political one.My comments are organized around a few of the book's major themes, so I'll begin with laying out the most relevant themes in some detail. I then take up four points to consider in more depth. In so doing, I'll be drawing on my own scholarly perspective on issues of nontraditional reproduction, which is informed by my own social positionality in relation to family matters; this means that I (not so subtly) bring a queer perspective to the discussion of Groll's book. The through-line of my comments is this: While I agree with and appreciate much of Groll's approach, I want to stress the sense in which gamete donation is not just an ethical issue, but a political one, given its implication in bionormativity (and heteronormativity). I wonder if a deeper acknowledgment of the political nature of the issues might lead to moral conclusions that are different from those that Groll comes to, even assuming similar ethical values as starting points.2. Groll's major claims(1) Claim 1: Disclosure to donor-conceived offspring—in the usual case at least—is morally required given the intimacy argument: [End Page 166]The intimacy argument suggests that keeping "the secret" about donor conception involves intentional deception and undermines the proper intimacy of parent-child relationships (Groll 2021, 36–49).(2) Claim 2: Anonymous donor conception is (generally) morally impermissible because of the significant interest view.Donor-conceiving parents can reasonably foresee that their children will likely develop a significant interest in genetic knowledge. Significant interests "matte[r] quite a lot to the person who has [them]," "tak[e] up a space … in a person's mental economy" and/or "pla[y] a structuring role in a person's life and self-conception" (Groll 2021, 62–3). But not all donor-conceived people take such an interest in genetic information, and this information is not necessary for identity construction or psychological wellbeing (Groll 2021, 58, 61).2 Rather, multiple routes to self-identity exist, the genetic route being one among the options. Moreover, one needn't experience any loss in not taking this route; however, for those who take it up, genetic knowledge is objectively valuable and nonfungible (Groll 2021, 81–9). This is because genetic knowledge is uniquely relevant to the identity-related question "Who am I?" (Groll 2021, 112–3).3Groll argues that donor-conceiving parents should assume that their child will form such an interest because this is empirically a "good bet." Further, significant interests—at least when they are worthwhile (that is, not trivial and not morally objectionable)—are connected to one's wellbeing by the wellbeing principle: In satisfying a non-instrumental significant worthwhile interest, one's life goes better (Groll 2021, 62). It follows, then, that parents ought to choose open donors since (to simplify) parents are obligated to promote their children's wellbeing (ibid).4Counter to what one might expect, Groll does not take his ethical case against anonymous donor conception to justify prohibition of the practice. This is because wronging children in this way is within the realm of (unethical) choices we allow parents to make without societal interference.5 Moreover, to aim regulation at anonymous donor conception could reinforce bionormativity and target already marginalized families for special negative attention (Groll 2021, chapter 8).(3) "Claim" 3: Groll's own personal... (shrink)

Beylikler devri Türk-İslam ciltleri hem tezyînatları hem de üzerlerindeki dini içerikli ibareler, dua ve mücellid mühürleri vasıtasıyla cilt sanatı araştırmacılarının yayınlarına konu olmuştur. Ancak ciltlerdeki dua ifadelerini müstakil olarak konu edinen yayın sayısı oldukça azdır. Türk-İslam ciltlerinin gerek kapak yüzeyinde gerekse kapak içlerinde dua içerikli ibarelere rastlamak mümkündür. Makalenin konusu, Beylikler devrinde üretilen Türk-İslam ciltlerinin deri kaplı kapak içlerinde yer alan el-İzzü’d-Dâim ve’l-İkbâl (العزّ الدّائم والإقبال) yazısı, bu yazının yer aldığı desen kompozisyonu ve yazının analizidir. Makaledeki amaç, şimdiye kadar cilt (...) literatüründe müstakil olarak ele alınmamış el-İzzü’d-Dâim ve’l-İkbâl yazılı cilt kapak içi tezyînatı hakkında tespit edilebilen örneklerin detaylı desen ve yazı analizleriyle bilimsel birikim oluşturabilmek ve aynı ya da benzer ibarenin yer aldığı diğer İslam sanat eserlerini tespit ederek bu dua ibaresinin ciltlerdeki kullanım amacını ve kullanıldığı dönemleri belirlemeye çalışmaktır. Cilt sanatı literatürü ve yazma eser kütüphanelerinde yaptığımız araştırmalar neticesinde, Beylikler dönemine ait ciltlerin altı tanesinin kapak içinde el-İzzü’d-Dâim ve’l-İkbâl ibaresi tespit edilmiştir. Bu tespitlerin sayısı, yapılacak yeni araştırmalarla artabilecektir. Tespit edilen yazma eserler; Amasya YEK: 217, İnebey YEK Hüseyin Çelebi: 481 ve Ulu Cami: 318, Kastamonu YEK: 2856 ve 3435 ve Süleymaniye YEK Fatih: 5004’tür. Ciltlerin kapak, sertâb ve mikleb yüzeylerindeki tezyînatları, Beylikler dönemi cilt sanatı üslûbunu yansıtan süslemelerdir. Ciltlerin teknik ve tezyînatları, -mevcut olanların- istinsâh kayıtları incelendiğinde üç örneğin (Amasya YEK: 217, Kastamonu YEK: 2856 ve 3435) 14. yüzyıl tarihli olduğu ya da tarihlendirildiği, üç örneğin (İnebey YEK Hüseyin Çelebi: 481 ve Ulu Cami: 318, Süleymaniye YEK Fatih: 5004) ise 15. yüzyıl tarihli olduğu ya da tarihlendirildiği görülmektedir. Ciltlerin kapak içi deseni, bitkisel ve rûmî motiflerle bezeli tam zemin geometrik bir tasarıma sahiptir. Geometrik desenin içerisindeki altıgen paftalarda el-İzzü’d-Dâim ve’l-İkbâl (العزّ الدّائم والإقبال) yazısı yer almaktadır. İbarenin, cilt kapak içlerine tek satırda (İnebey YEK Ulu Cami: 318, Kastamonu YEK: 3435) ve çift satırda -½ oranında ters simetrik- (Amasya YEK: 217, İnebey YEK Hüseyin Çelebi: 481, Kastamonu YEK: 2856, Süleymaniye YEK Fatih: 5004) olmak üzere iki türde yazıldığı tespit edilmiştir. Her iki tasarımda da sülüs yazı çeşidi tercih edilmiştir. İnebey YEK Hüseyin Çelebi: 481 envanter numaralı 15. yüzyıla ait cildin kapak içinde ise diğer örneklerden farklı olarak yazı paftalarının bazılarında mücellit kitabesi bulunmaktadır. Kitabede, “Amel-i Mücellid Haydar b. Turbegî” yazılıdır. Kapak içi tezyînatının aynı olması nedeniyle, Kastamonu YEK: 2856 ve Süleymaniye YEK Fatih: 5004 envanter numaralı ciltlerin de Haydar b. Turbegî adlı mücellidin eseri olma ihtimali vardır. Ciltlerin kapak içlerinin tümü, çeşitli tonlarda kahverengi sahtiyanla kaplıdır. Derilerin gözenek türü bunu ispat eder niteliktedir. Süsleme tekniği, tüm kapak içlerinde soğuk baskı tekniğidir. Bu teknik adını, uygulanması esnasında altının kullanılmamasından almaktadır. Soğuk baskı tekniğinde, desenin deriye genellikle sıcak pres uygulaması yapılarak aktarıldığı bilinmektedir. Uygulamada yüzeyinde motif veya desenin yer aldığı kalıp, çivi ve diğer ciltçilik aletleri kullanılmaktadır. Çalışma kapsamındaki ciltlerde kapak içi deseninin kalıpla uygulandığı, deri üzerindeki desenin kesintili çizgilerden anlaşılmaktadır. Kapak içi tezyînâtını oluşturan desenin simetrik bir parçası, kalıba işlenmiş ve kalıp deri üzerine simetrik bir şekilde, boşluk bırakılmadan basılmıştır. Yapılan incelemelerden anlaşıldığı kadarıyla kalıbın basıldığı deri, kapak içine yapıştırıldıktan sonra kapak kenarlarından cilt ebadına uygun şekilde kesilmiş olmalıdır. Kalıbın bazı örneklerde hatalı basıldığı da görülmektedir. Bu da desenin devamlılığını kısmen bozmuştur. Soğuk baskı tekniğinde, desenin deriye genellikle sıcak pres uygulaması yapılarak aktarıldığı bilinmektedir. Desenin deri renginden daha açık olması, uygulamanın ısıyla yapılmış olduğunu doğrulamaktadır. Ciltlerin kapak yüzeylerinin kullanıma bağlı olarak yıprandığı ve bu nedenle desenlerin deforme olduğu tespit edilmiştir. Ancak kapak içleri böyle bir yıpranmaya maruz kalmadıkları için korunarak günümüze ulaşmıştır. el-İzzü’d-Dâim ve’l-İkbâl (العزّ الدّائم والإقبال) ibaresi Arapça bir terkip olup “sonsuz güç ve yüksek mevki” anlamına gelmektedir. Terkip; güç, kudret ve ihtişam anlamına gelen العزّ ve ferah, parlak ve yüksek mevki anlamındaki الإقبال kelimelerinden oluşmaktadır. İbare dua, temenni vb. maksatlarla kullanılmış olmalıdır. Çalışma kapsamındaki ciltler ve diğer İslam sanatı örneklerinden anlaşıldığı kadarıyla İslam sanat eserleri üzerinde el-İzzü’d-Dâim ve’l-İkbâl ibaresine 12. yüzyıldan 15. yüzyıla kadar geniş bir dönemde yer verilmiştir. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Dancing Sokrates and the Laughing Xenophon, or the Other SymposiumBernhard HussXenophon's Symposium is one of his minor Socratic works, and even though other opera Socratica Xenophontis, his Memorabilia and probably also his Oeconomicus, are much more famous, occasionally it has been called his best work.1 Nonetheless the Symposium has often been judged very negatively in the nineteenth and twentieth centuries.2 If one looks closely at its Forschungsgeschichte, there (...) can be no doubt about the origin of most of these critical statements: it has suffered from comparison with Plato's famous work of the same title. In 1972 Gallardo's report on recent research on Xenophon's Symposium had to state that little had changed since the days of Wilamowitz–Moellendorff: "El Banquete de Jenofonte, obra amena y de agradabilísima lectura, siempre, o casi siempre, es puesta, inevitablemente, en relación con su homónimo platónico, y a través de esta comparación se la suele juzgar."3The vast majority of modern Platonists and Xenophontists tend to agree about the relative chronology of the two works. There is very little doubt that Plato wrote his Symposium first. It seems certain that Pla [End Page 381] to's was published between 385/84 and 378,4 and Xenophon very probably produced his only in the late 360s.5 The considerable number of parallels between the two6 proves that Xenophon knew Plato's Symposium. And not only did he know it—his own opusculum was strongly influenced by Plato's opus. Still, Plato's Symposium is not the only work Xenophon quotes and uses while constructing his story of the evening at Kallias' house: he is also influenced by Plato's Phaedrus and other Platonic dialogues as well as by other Socratics, namely Antisthenes and Aeschines. And one should not forget the well–known fact that Xenophon generally does not just quote other authors, but rearranges the elements he borrows from them according to his own needs in order to create largely independent new works of art which are neither Platonic nor Antisthenic but simply Xenophontic. Therefore Gallardo certainly is right: looking at Plato's Symposium while making statements about Xenophon's can be helpful, but "reconociendo, pues, lo razonable de esta actitud, nos parece sin embargo más justo estudiar la obra de Jenofonte por sí misma, prescindiendo, en principio, de cualesquiera otras consideraciones."7My primary goal here is to promote a better understanding of both the peculiar intention and the literary technique of this underestimated work. For this purpose, let us first look at a particular passage of Xenophon's Symposium which has often been misunderstood by ancient and modern interpreters (and which is a good example of more [End Page 382] general misunderstandings concerning the work as a whole) and then attempt to draw a number of conclusions regarding the composition and meaning of this text.IThe passage in question is Symp. 2.15–20. What is the context of this little scene? We are at a dinner party thrown by the rich Kallias in honor of his erōmenos Autolykos, victor in the pankration at the Panathenaea of 422 B.C. What is the background? After the victory of his beloved Autolykos, Kallias, accompanied by the boy and his father, Lykon, and one Nikeratos, encounters Sokrates and a number of his friends, namely Kritobulos, Hermogenes, Antisthenes, and Charmides. He invites them to his house. After some hesitation, the Socratics accept the invitation. They take their seats (or, better, their klinai) in Kallias' andrōn, impressed by the splendid beauty of the young Autolykos. While they are dining, they are joined by Philippos the jester (1.11–16) and later also by a Syracusan impresario and his little troupe of artists (2.1), which consists of two beautiful girls and a boy who, as it seems, does not yield too much to Autolykos as far as good looks go. The guests greatly enjoy their music, their dancing, and their artistic skills (3.1, 9.3–7), and Sokrates, throughout the symposium in a very relaxed and jovial mood, is the first to express this, praising both his... (shrink)

El “centro” constituye el punto más importante de las ciudades (Gutman y Hardoy, 1992; Hiernaux, 2007). Este término es entendido como un área concreta con capacidad de atraer e influir en el resto de los espacios urbanos que integra y cuyas funciones varían en función de su tipología, de sus relaciones y de su propio entorno (Mayorga y Pla, 2012).

The conference of Salat Levente, "The Challenge of Diversity Answers and Dilemmas".

The author discusses and critically questions the historical development of the nation-state – the „success story” of the last three hundred years. Its fundamental ideas are embraced both by the common mentality regarding the role of the state and the theory of international relations, which recognizes the nation-states as legitimate actors on the stage of international politics. The main challenges toward this model are, in the author’s view, the process of globalization and the reality of diversity (ethnic and linguistic). Even (...) if the nation-state successfully manages to adapt to globalization, in many cases it will still sacrifice the idea of diversity, through its various processes of homogenization. In the end, the author discusses the relation between democracy and the nation-state, and its influences in managing inner diversity. (shrink)

During the last third of the 19th century, the ‘new’ French psychology developed within ‘the hypnotic context’ opened up by Charcot. In spite of their claims to the scientific nature of their hypnotic experiments, Charcot and his followers were unable to avoid the miracles that had accompanied mesmerism, the forerunner of hypnosis. The hysterics hypnotized in the Salpêtrière Hospital were expected to have supernormal faculties and these experiments opened the door to psychical research. In 1885 the first French psychology society (...) was founded. The research carried out by this society may seem surprising: its members – Charles Richet in particular – were interested in strange phenomena, like magnetic lucidity, ‘mental suggestion’, thought-reading, etc. Very quickly, psychologists applied themselves to finding rational explanations for these supposedly miraculous gifts. Generally, they ascribed them to unconscious or subconscious perceptual mechanisms. Finally, after a few years, studies of psychical phenomena were excluded from the field of psychology. However, during the 4th International Congress of Psychology, which took place in Paris in 1900, the foundation of an institute devoted to the study of psychical phenomena was announced, but Pierre Janet and Georges Dumas founded within it the Société Française de Psychologie, from which psychical research was excluded. As for Charles Richet, disappointed by the psychologists, he devoted himself to the development of a new ‘science’ which he called ‘Métapsychique’. Several hypotheses have been put forward to account for this early research undertaken by the French psychologists, pertaining as much to parapsychology as to scientific psychology. (shrink)

This ar ti cle has as ob jec ti ve for mu la tes a cri tic to Ri chard Rorty`s an ti mar xism and his de fen se of the po li ti cal li be ra lism. The ar ti cle tries to do it, in first pla ce, des cri bing the phi lo sop hi cal cri tic of Rorty to Marx; in se cond pla ce iden tif ying two in t..